Friday, 30 March 2007

The Observations - Jane Harris

I wasn't sure what to expect when I started reading this, having just realised it wasn't the new Joanne Harris, as I had thought in the bookshop (oops). However, the nineteenth century ambience and the quirky narrative of Bessy the maid/child prostitute was thoroughly engaging. When the 'supernatural' aspect of the story kicked in I was reminded of the non-ghost story that is 'Northanger Abbey', with rational explanations obvious only to those who wish to see them. Bessy's rather odd mistress ('marm') and her spiralling insanity keep the story rattling along, as the tricks Bessy plays get rather out of hand leading to a shock as her past meets her present.

Tuesday, 20 March 2007

The Flanders Panel - Arturo Perez-Reverte

I read this a few years ago, lent it to a friend then forgot all about it. When it was conscientiously returned to me, I couldn't not re-read it. When I started, I couldn't remember whodunit, but as I turned the pages, it all came flooding back to me. This wasn't really a problem; I don't mind knowing what happens because I read books or watch films more to see how it happens (I don't much like surprises...).

The layers of the story draw you in, but I found the 15th century mystery more compelling than the modern detective work. It was also slightly disappointing that the modern crime was not connected to the past events, except as an instigator. The flashbacks to Roger de Arras and Beatrice of Burgundy are beautifully constructed ethereal passages, portraying the distant beginnings of this mystery and the cast who played the key roles. It does seem a shame that the modern group appear more constructed and somewhat stereotypical (the louche homosexual antique dealer, the thrill-seeking aging gallery owner, the introverted chess master and the strong yet vulnerable woman they gather around). The denouement therefore, is less shocking than it should be, and the betrayal involved more of a disappointment than anything else. That said, the story is engaging enough for me to wish I could read the original, but unfortunately my Spanish isn't up to that.

Monday, 19 March 2007

Becoming Jane

With an interesting concept, accomplished cast and a fond public on its side, 'Becoming Jane' was always going to be relatively well-received. Anne Hathaway convincingly brings alive the frustrated author, torn between duty, passion and her conviction that works written by men and women have equal validity and promise. The 'Pride and Prejudice'-like romance between Austen and Tom Lefroy seems to jerk from antipathy to true love, creating a paradox due to the film's lack of pace in other aspects of the story. This may reflect the lack of historical background material regarding the supposed courtship and love affair, though it does create the effect of a slightly awkward gear change half-way through the film.

Visually, the eighteenth century comes alive, and the slow unfurling of the story may be considered atmospheric, particularly the opening soundless sequence. However, it really needed either more atmosphere or more substance to utterly convince, instead the result is an uneasy mix of conventional love story and stylistic imagery. The questions surrounding Austen's life and love that 'Becoming Jane' tries to answer are indeed intriguing, and for that reason I would say it is worth watching. Unfortunately though, it falls short of 'Shakespeare in Love'.

Tuesday, 20 February 2007

Vortex

I saw the Vortex last week, starring Will Young. It's an intriguing play, where very little actually happens, with the emotional journey taken by the characters very much a consequence of their feelings rather than events.

The first act was certainly weak in places, though this probably was at least partly due to an understudy taking the part of Bunty, which must have affected the energy and chemistry somewhat. Will Young fit the character of Nicky well, but his piano-playing did rather let him down. He plonked away rather unconvincingly for someone who supposedly loved playing the piano more than interacting with people. The gramophone on stage did help cover this sad lack, and the high camp staging encapsulated the era portrayed. The kiss between Bunty and Tom (the only major occurrence of the play), moved the play into a higher gear, both in terms of the drama and the performances given. Enjoyable, if rather fluffy, and visually splendid.

Friday, 16 February 2007

Addiction to paper

I am afflicted by a strange attraction. Paper. I look old books, new books, notebooks, paperbacks, hardbacks, cloth-bound, leather-bound, recycled, and shiny white. Surrounding myself with paper is akin to surrounding myself with possibilities and opportunities. What will I do with it all? What will I learn as I fill or read those pages? Which pen will I choose? Comforting questions.

Paperchase, Waterstones and Amazon are filled with wonders for me, but places I must avoid until payday. Until then, I make do with the paperless pages of Wikipedia and Blogger.

Thursday, 15 February 2007

Italian verbs

I like Italian verbs. They're much friendlier than French ones. OK, so I've only actually attempted 3 tenses, and only one of these (the present) in detail, but so far, so good. Some of them are actually fun. Is it worrying that my favourite verb so far (due to its long line of vowels I hasten to add) is morire? I also love 'rimango', but i think that's mainly because of the happy fruity thoughts it inspires. Mmm, mango...

Wednesday, 14 February 2007

The mystery of the haunted tap

The hot tap in the kitchen of my office is haunted. I'm not sure who/what by, but after washing up my dirties (when not at home, am terribly domesticated...) it drips. A lot. But as soon as I raise my hand to tighten the tap, it mysteriously stops.

As I scientist, I've tried to test this hypothesis of course, but without a control hot tap (the cold tap is plumbed to a different system and has a different mechanism so could not really be called a control) this hasn't worked so well. I have attempted to catch it out, by leaving the kitchen with it still dripping then rushing back in, but it manages to stop dripping at the exact moment my hand reaches out to it every time. Is it watching me? How is it watching me? Why is it doing this? I guess it is quite boring being a tap, but that is no excuse. I shall have to perform an exorcism, though not sure how I'll explain that to whoever pops in to do the tea-round mid-ceremony...

 
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